HCU GLOBAL
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Newsletter: September 2023
Hello everyone,
We hope this message finds you well. We wanted to provide you with an update on the PANart lawsuit proceedings in Bern over the past few days.
As of now, a verdict has not yet been reached. On the second day, the judge mediated both parties in an attempt to reach a settlement. However, no agreement has been reached on the day itself. The judge has given a time period of four weeks for both parties to come to a settlement. The negotiations will proceed between the parties via email or other channels. This time period can be extended if more time is needed. If either of the parties does not see a possibility anymore and no settlement has been reached then the proceedings will continue to the next phase.
So far, PANArt has proposed a limitation on handpans that no convex dome should be built on central notes. We find this proposal unacceptable as it would compromise the sound quality, tuning stability and playing possibilities of the instrument tremendously. We have suggested several possibilities to abstain from certain shapes/colors, but we did not get an answer if there was an interest from PANArt’s side.
What are the potential outcomes?
- If a settlement is reached and a compromise is found that is agreeable to both parties, the proceedings will conclude.
- If no settlement is reached, the next step would be for the court to determine whether any of the hang models can be granted copyright protection.
a. If the answer is no, the case would conclude. However, PANart would have the option to file an appeal, which they are likely to do. This would mean the same copyright question would be brought before the next higher court instance.
b. If the answer is yes, the current case would progress to the next phase. In this phase, the judges would examine various handpans to determine if, and which, handpans may potentially infringe upon the alleged copyright. This process would involve further hearings and submissions to the court from both parties.
Here it would be determined how wide or narrow the scope of copyright would be. This ruling could then be appealed again by either side.
We remain optimistic that a final verdict will result in a situation where handpans can be built with no or only very small compromises to the instrument’s quality and playability. However, in most scenarios where a settlement can not be reached, we anticipate that this legal process may extend over several years into the future.
For all handpan builders who have not yet received our video updates, please inform us at info@hcu.global. We value your input on the current questions at hand.
Thank you for your attention and support.
Sincerely,
The HCU admin team
Brief to court of Berne-German version
Walder Wyss filed our second brief to the court of Bern. It represents countless hours of work and is the product of the legal team (Bird & Bird and Walder Wyss) closely collaborating with numerous members of the handpan community along with prestigious external scientific experts.
Newsletter: July 2022
Hello everyone,
It’s been a while and much has happened since the last HCU newsletter. Due to the active court proceedings, there are many matters which we have not been permitted to share with you until now. Today there is good news to share!
Table of contents:
- Berne Copyright Proceedings Update
- Dutch Copyright Proceedings Update
- Patent Proceedings – A historic dispute now put to rest
- URGENT call for Donations to be able to proceed + Upcoming Instrument Lotteries and Call for Donations
1. Berne Copyright Proceedings Update
Walder Wyss filed our second brief to the court of Bern last month. It represents countless hours of work and is the product of the legal team (Bird & Bird and Walder Wyss) closely collaborating with numerous members of the handpan community along with prestigious external scientific experts. You can find the Brief here.
Jim Woodhouse, an emeritus professor of the Department of Engineering in the University of Cambridge, prepared an opinion on technical aspects of certain features of the Hang, which was filed to the court of Bern together with the brief. You can find his expert statement here.
We are pleased with the result and feel that it provides a very convincing case.
PANArt has received the brief recently and now has time over the summer to reply. After that the final hearing will take place in Berne. It’s expected this could happen as in the first quarter of next year.
One key thing to keep in mind in regards to this legal situation is that it all comes down to copyright – specifically, can PANArt claim a copyright on a musical object that is lense-shaped, with a circular note arrangement and featuring a tone-field with a dome on the top side (Ding) and a port-hole (Gu) on the bottom side? This is exactly what came to the forefront in the court of Bern in October of 2021. Upon reviewing submissions from both sides, the court suggested to split the legal proceedings into two separate questions:
a) can PANArt legally apply a copyright on Handpans?
b) if the answer to a) is ‘yes’ and Panart has a copyright on all or some of the elements as claimed, then how wide/narrow would such a copyright be? Are any of the parties involved actually infringing on that copyright with their instruments?
This means that, before looking at handpans and the question of if they would violate a potential copyright, the court will focus first on the question if there can be a copyright at all for this musical instrument. This question has also been the focus of the latest brief (attached) that our legal team has prepared.
2. Dutch Copyright Proceedings Update
It has been over a year since Ayasa Instruments had 70 instruments and 400 shells legally seized.
From our May 2021 Newsletter:
“On the 28th of April a Police officer (Assistant Prosecutor), a bailiff, and a locksmith arrived at Ayasa Instruments and seized all of their handpans, as well as the shells that were in the process of being made into instruments, on behalf of PANArt. Their wish is to have all handpans and shells destroyed by a third party at the expense of Ayasa Instruments, amongst other heavy demands stated below. PANArt initiated what is called a prejudgment seizure. A judge of the Court of Central-Netherlands reviewed PANArt’s claim of copyright infringement and has granted PANArt the permission to seize handpan instruments along with any shells in process until further review. In the Netherlands, a party can demand a seizure without the accused party’s knowledge so that the accused party does not have the time to move/sell their goods before the seizure. The threshold for a judge to allow such a prejudgment seizure is relatively low. The law states that the judge looks “briefly” at the claim, and upon seeing a potential infringement, the seizure will be granted.”
This has now been reviewed by the courts and it has been determined that there is a jurisdiction issue. Due to the fact that Ayasa Instruments and others filed against PANArt in the courts of Bern in the Fall of 2020, the Dutch courts decided that things first need to be settled in Switzerland before they can determine the outcome in the Netherlands. In a way this can be considered good news because for the time being, no more financial and time resources need to be spent on this action in the Netherlands. But it also means that everything that was seized from Ayasa Instruments will stay seized until there is a decision in the courts of Berne.
3. Patent proceedings – A historic dispute now put to rest
In 2009, PANArt filed an international patent application which ultimately resulted in the grant of essentially identical patents in the U.S. and the EU. Specifically, each granted patent covered processes used in the manufacture of handpans utilizing gas nitriding. Unfortunately, after the patents were granted, PANArt quickly began accusing certain handpan makers of infringement and thus a long-standing dispute began.
It was contested by the accused makers that as PANArt’s own research paper, published nearly a decade earlier, had already placed the patented subject matter into the public domain, PANArt’s processes for gas nitriding steel handpan shells were rendered free for anyone to use, ultimately preventing any future patent enforcement efforts.
Relying on PANArt’s own prior publication, Pantheon Steel, the first company to be targeted by PANArt, challenged PANArt’s newly-granted U.S. patent with a patent reexamination in 2014. As a result of the reexamination, all but two of PANArt’s original U.S. patent claims were canceled and the surviving claims were substantially narrowed to be limited to particular ranges of needle-shaped iron nitride densities. Evidently seeing no value in maintaining the U.S. patent with such narrow claims, and faced with evidence that the narrower claims were also invalid regardless, PANArt abandoned the U.S. patent in October of 2021.
At the same time, a newly-formed worldwide collective of makers, called Handpan Makers United, was established to challenge PANArt’s nitriding process patent in the European Patent Office (“EPO”). Although PANArt tried to save some patent scope by amending its claims during the EPO patent opposition, Handpan Makers United appealed to prevent PANArt’s patent from surviving in any form.
Word was received recently that the extensive and painstaking efforts in the EU have been rewarded. Specifically, the appeal board at the EPO issued an opinion agreeing that PANArt’s claims are invalid, and PANArt’s EU patent, like its U.S. patent, is also now extinguished. This process took eight years to complete, but thankfully the legal position on the use of nitrided steel shells has finally been made clear and the matter is now resolved.
4. Urgent call to be able to proceed + Upcoming Instrument Lotteries and Call for Donations
As you can see from the attached brief and all the other legal developments mentioned here, considerable amounts of financial resources were spent in the last 12 months for lawyers and the courts. Through generous donations from inside and outside the handpan community we were able to give the handpan the best defense possible. To be able to financially stay “in the game”, however, we are unfortunately reliant on more donations.. There are two ways to donate to the cause:
donate any amount directly to the Gofundme campaign or into the bank account of the HCU foundation (see below)
purchase an instrument from one of our regular lotteries (all proceeds will go to the HCU foundation)
You can find the HCU Gofundme campaign here.
It is also possible to make a direct donation to the bank account of HCU. Donations can be made to Stichting Handpan Community United – IBAN: NL62BUNQ2049174195. For anyone who would like to make a direct donation from an account that uses a different currency than euro, we would advise to use Transferwise to save transfer fees and additional exchange rate costs: https://transferwise.com/. If any further details are required, please contact info@hcu.global.
What happens next:
Now that HCU have submitted the legal brief, time is given to PANArt to to submit their rejoinder. We expect that the court will grant PANArt a deadline of around 3 – 4 months for that, so we should probably expect their next filing after the summer break. We then expect that the court will probably summon for the main hearing on the case either late this year, or possibly early next year.
Expert Opinion by Prof. Woodhouse
Jim Woodhouse, an emeritus professor of the Department of Engineering in the University of Cambridge, prepared an opinion on technical aspects of certain features of the Hang, which was filed to the court of Bern together with the brief.
https://hcu.global/wp-content/uploads/2022/07/Expert-Opinion-by-Prof.-Woodhouse.pdf
Translation of brief to court of Berne-EN
Walder Wyss filed our second brief to the court of Bern. It represents countless hours of work and is the product of the legal team (Bird & Bird and Walder Wyss) closely collaborating with numerous members of the handpan community along with prestigious external scientific experts.
Newsletter: October 2021
Hello Everyone,
We want to briefly report to you on our first hearing in the proceedings against PANArt before the Court of Berne. The hearing took place on Monday, 11 October 2021. It was set up as a first hearing in the early stages of the proceedings, which was held essentially to give every side the opportunity to summarize their key arguments and give first explanations on the instruments to the judges. We think that it was a very good hearing. We were able to explain the instruments to the judges and had the impression that the judges understood them very well. The court did not indicate any preliminary opinion on any of the legal issues at stake, but that could also not be expected at this stage of the case. The court also asked the parties whether a settlement was possible, and we will certainly explore the options further, although it appeared at the hearing that the parties’ respective positions are far apart so that it might be difficult to come to a settlement.
If no settlement can be reached, the case will continue with a further exchange of written submissions, in which we would be able to further explain our factual and legal arguments as well as to present and offer further evidence. After today’s hearing, we are confident that we are on the right track.
Colin, David and our lawyers will do a Q/A session as part of the Handpan Day stream tomorrow at 21:00 MET (Berlin, Paris) / 15:00 EDT (New York) / 12:00 PDT (LA) / 3:00 (Tokyo). For further information you can check out the Handpan Day Facebook Page: https://www.facebook.com/handpanday
with best regards,
the HCU admin team
Newsletter: August 2021
Dear Handpan Community, Hereby an update on the latest developments, Table of contents: – Recap and update on the Dutch proceedings – Update on the Swiss proceedings – The Handpan Timeline – More questioned answered in the updated FAQ (Frequently asked questions) 1. Recap and update on the Dutch proceedings These proceedings on the merits were indeed instituted by PANArt, and Ayasa Instruments was summoned before the Court of The Hague. In its claims, PANArt seeks a pan-European infringement injunction against Ayasa Instruments, as well as, among other things, destruction of product stock, declaration of sales information and compensation for alleged damage, penalties, and lawyer costs. Now for the update. As you know, Ayasa Instruments, together with many other makers, initiated proceedings against PANArt in Switzerland, in order to defend itself against PANArt’s copyright claims. You can read more about the status of these proceedings in paragraph 2 below. The Swiss proceedings concern the same subject as the Dutch proceedings, and were initiated earlier than the proceedings at the Court of The Hague. This is where it gets a bit technical. There are international treaties with rules that deal with the same cases being brought before courts in different countries, as is the case here. These so-called lis pendens rules exist because there is a danger that decisions of the different courts in different countries are incompatible with one another. Based on this, we have now (in the Dutch proceedings) put forward that the Court of The Hague is incompetent to hear PANArt’s claims now, because the proceedings in Switzerland were already pending. If successful, this would also mean that the seizure of the handpans and shells of Ayasa Instruments has lapsed. We have filed these lis pendens arguments by way of a so-called ‘procedural issue’. This means that the Court of The Hague will decide on these arguments first, before looking at all the other claims. Namely, if the Court agrees with the arguments, there would be no point in looking at the other claims, since the Court of The Hague would consider itself incompetent due to the Swiss proceedings. The Court of The Hague has received the procedural issue in good order, and PANArt will have to respond in the second week of September. In principle, the Court of The Hague will thereafter render its decision. In case the Court fully agrees with the arguments, that will be the end of these proceedings in the Netherlands. 2. Update on the Swiss proceedings In the proceedings in Switzerland, PANArt have meanwhile filed their Statement of Defense, which is their first substantive submission in which they set out their arguments. This submission did not bring any relevant new aspects, as we were already aware of PANArt’s position and main arguments from the proceedings in e.g. Germany. The Court of Berne now summoned for a preliminary hearing on 11 October 2021. This will be a “case management hearing” in which the court has a first discussion of the matter with the parties, probably also explaining the court’s preliminary view of the matter and which aspects should be focused on in the further submissions. The court will probably also see whether an amicable settlement of the dispute is possible. This hearing is scheduled for a full day, but with only a limited participation of two representatives for either side (i.e. for all plaintiffs together, and for the defendant), and of course with the lawyers. The hearing will not be public, though. We are currently preparing for this hearing together with our lawyers. There will not be any further written submissions before the hearing, but if the case continues after the hearing – if no settlement can be reached – a further round of written submissions will probably follow. 3. The Handpan Timeline Learn history, check sources, research and double check. The Handpan Timeline is a crowdsourced project that was voluntarily created and is voluntarily maintained–’the purpose being to create a timeline of sources on the history of the musical instrument known as the handpan’. While the Handpan Timeline Team makes no claim to completeness, it is a very extensive timeline and one that is constantly expanding and growing. No new content is created specifically for the timeline; it only shows references to existing sources. It has proven to be an incredible resource for HCU and if you are at all interested in learning about the factual history of handpans be sure to visit. From the timeline website: “How to participate as an author or editor of postings? If you can help this project please first introduce yourself at contact@handpan-timeline.org – let’s speak about your ideas and lets find a good task to start for you. There is indeed a lot of voluntary work to do and everyone has limited time to work on all the tasks. Of Course for such a project it is also vital to have a flexible and growing core team! Such a project can never be completed or finished and a network of a trusted framily (friends/family) is vital to continue! This project is not funded at all! – it is voluntarily maintained and updated by steelsound enthusiasts – like you. https://handpan-timeline.org 4. More questioned answered in the updated FAQ (Frequently asked questions) While things get more complicated, legally, it can be a challenge to get the facts straight. In an effort to disseminate accurate and current information as well as answer some more frequently asked questions, HCU has updated the FAQ page of our website. You can find the updated FAQ here. If you have any questions that feel unanswered and/or could give value to the FAQ page, please feel free to email HCU at info@hcu.global. Sincerely, The HCU administrative group |
Newsletter May 2021
Dear Handpan Community, Hereby an update on the new developments, Table of contents: – PANArt seized all handpan instruments and shells in process at Ayasa Instruments – PANArt summoned Ayasa Instruments to court in the Netherlands, aiming at a European ruling to use as a precedent against all makers – What this could mean for the future of handpans – Current status action of Bern, Switzerland – Urgent call for a second round of donations to be able to continue the defense! 1. PANArt seized all handpan instruments and shells in process at Ayasa Instruments On the 28th of April a Police officer (Assistant Prosecutor), a bailiff, and a locksmith arrived at Ayasa Instruments and seized all of their handpans, as well as the shells that were in the process of being made into instruments, on behalf of PANArt. Their wish is to have all handpans and shells destroyed by a third party at the expense of Ayasa Instruments, amongst other heavy demands stated below. PANArt initiated what is called a prejudgment seizure. A judge of the Court of Central-Netherlands reviewed PANArt’s claim of copyright infringement and has granted PANArt the permission to seize handpan instruments along with any shells in process until further review. In the Netherlands, a party can demand a seizure without the accused party’s knowledge so that the accused party does not have the time to move/sell their goods before the seizure. The threshold for a judge to allow such a prejudgment seizure is relatively low. The law states that the judge looks “briefly” at the claim, and upon seeing a potential infringement, the seizure will be granted. This is not a final ruling however, it is to ‘conserve’ the instruments and shells until there is a judgment in the proceedings on the merits. These proceedings on the merits have now been initiated (see below) and in those proceedings Ayasa Instruments will be able to defend itself against PANArt’s copyright and infringement claims. 2. PANArt summoned Ayasa Instruments to court in the Netherlands, aiming at a European ruling to use as a precedent against all makers A deadline of 14 days for PANArt to summon Ayasa Instruments to court was set by the judge who granted the seizure. (The initial request of PANArt was for a deadline of 28 days). A bailiff came to hand over the court summons for the proceedings on the merits just in time of the deadline. Ayasa Instruments was hereby summoned to appear before the District Court of The Hague in the Netherlands. The court summons is a 32 page document, including all the claims and arguments made by PANArt.In these proceedings on the merits, PANArt seeks a pan-European infringement injunction, as well as, among other things, destruction of product stock, declaration of sales information and compensation for alleged damage.In summary, they are requesting that Ayasa Instruments pays for:the destruction of all their own products (completed instruments and any shells)all of PANArt’s court and lawyer feesany damages PANArt claims to have suffered10,000 euros every day they continue to sell their instruments. You can find all the claims in this translated pdf document. HCU has been in close contact with the lawyers at Bird & Bird since the seizure. The Dutch team of Bird & Bird is fully up to speed with the case and are looking into all possibilities to make sure the best defense is given. The court date requested by PANArt is the 16th of June, although that date only indicates the beginning of these proceedings on the merits; Ayasa Instruments will then be given a term to respond to PANArt’s claims. As soon as we have more information about the case we will share that via newsletters. 3. What this could mean for the future of handpans As with all cases so far, this case is a cause for great concern. If PANArt wins this case against Ayasa Instruments, it could become a precedent case for the European Union and beyond. With the new claims against Ayasa Instruments, together with all other ongoing cases and specifically with the intent of having all handpans destroyed and to stop all future creations, the entire instrument with all of its facets is under direct threat! A precedent case could end handpans in the European Union rather quickly. Every maker in the European Union could be legally pursued like Ayasa Instruments, with the same legal claims. 4. Current status action of Bern, Switzerland: The action of Bern is most likely going to be a long process considering all the parties involved at this moment. Last week PANArt’s deadline to submit their statement of defense to the court of Bern expired. We have not received this brief yet which will contain PANArt’s counter-arguments. An oral hearing in these proceedings could then take place after the summer break. We will keep you posted on the further developments once we know more. 5. Urgent call for a second round of donations to be able to continue the defense! Because of the many makers and resellers that have been targeted by PANArt, there was no other way than defending every single one of them either in their home country or in Switzerland. This resulted in exhausting HCU’s funding quicker than expected. At this point there is already an outstanding bill with the law firm for which funding still needs to be gathered and we can expect many more bills to come; expecting PANArt will not stop their actions. If there is no big second round of donations the result could be a loss by financial forfeit–if we cannot pay our legal team, we cannot defend the handpan instrument anymore. The initial fundraising was fantastic and it gave us a chance to find our footing and get on the same legal playing field. With that funding we were also able to come to the defense of over a dozen makers and distributors across Europe. These legal defenses are still ongoing, but if PANArt is granted any decision by a judge in their favor, it could mean a domino effect for all the current legal cases. That is why each case against any maker or reseller anywhere in the world needs to be defended in the best way possible. We invite and sincerely urge everyone to make a donation if you can, all amounts are welcome. This time we would like to specifically ask makers and resellers who didn’t donate yet but also who have donated already. Now is a time to ask yourselves, how much is it worth for you to keep following your passion to create or resell these instruments? The risk of losing your livelihood/passion is very real and the only way to prevent this is by acting together now. Together we are stronger and we can keep the passion and community alive. Donations can be direct or through the crowdfunding page: GoFundMe Crowdfunding For direct donations you can transfer to: “Stichting Handpan Community United” IBAN: NL62BUNQ2049174195 Sincerely, The HCU administrative group |